lighting test/ 2023

b. 1987 NYC, named: JULIA PEARL ROBBINS -

an unconscious assimilation explored throughout the years of her twenties: Honed from within quechua and gurmukhi framings, a dedicated study of their sonic and cognitive influence and in turn the acute optics and related backdrops of shared understanding or approach.

Since age 11, driven by a deep reverence for the earth/environment, the inherent strength of Woman, and sacred wisdoms refracted within the lexicon of mathematics, there’s been an interest in creating visual narratives that speak to heart, awaken consciousness, nurture connection, and catalyze change. the artworks remain in function as a language themselves, thus communicating outside of the limits of word and their binaries.

weaving together the threaded parallels of societal relationships towards both nature and womanhood, and crafting content bridges that call to the harmonious coexistence and recognition of life and their forms. in that, a seeded biographical introduction to the vibrational landscape of collective trauma and their impressions, across cultures + throughout history — the dot/centerpoint of the modeled choreographed theoretics: charting of the directional flow of consciousness within this embodied experience informed through time + space.

this grew out of the challenges inherent within identity, experience and discourse, as well as modes of othering. of lineages Jewish from eastern europe, syrian/lebanese (by way of jamaica), as well as german, as a child and tween, the projected relation of human history on and through individuals was felt and approached as a scientist — with an active Why, how, when, where. later in life, locating the ego in these formations and repertoires was easy, and there, finding solution was met through distinct healing modalities and their frequency codex very much alive within the earth’s cultures 2004-2019. Julia was a student. and in that, a responsibility — a student within a system of traditions that a woman, or an individual mind for that matter, didn’t have exploratory access to at previous chapters in human history. there was isolation, learning, practice, and then in her early thirties, an efforted reintegration into the cultural climate of the U.s.. This wasn't a reach as there was always an established anchor in downtown manhattan both in family and community.